Free Ebook The Disco Files 1973–78: New York's Underground, Week by Week, by Vince Aletti

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Free Ebook The Disco Files 1973–78: New York's Underground, Week by Week, by Vince Aletti

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The Disco Files 1973–78: New York's Underground, Week by Week, by Vince Aletti

The Disco Files 1973–78: New York's Underground, Week by Week, by Vince Aletti


The Disco Files 1973–78: New York's Underground, Week by Week, by Vince Aletti


Free Ebook The Disco Files 1973–78: New York's Underground, Week by Week, by Vince Aletti

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The Disco Files 1973–78: New York's Underground, Week by Week, by Vince Aletti

Review

Aletti’s book offers a different version of the disco experience, one that is premised not on mythically great nights out but on conversation and careful study of one’s record collection. (Hua Hsu New Yorker)Vince Aletti is disco's greatest chronicler, the first writer to cover the emerging scene. (Paris Review)Aletti became the first person to write about the emerging disco scene, chronicling its rise from the underground to the top of the charts, introducing Black and Latinx gay culture to the world. In his weekly column for Record World magazine, Aletti showcased the latest breaking records, top ten playlists from DJs like Larry Levan, Walter Gibbons, and Nicky Siano, scoops and reviews. (Sara Rosen AnOther Man Magazine)[Aletti's] firsthand account of New York's halcyon days of disco is totally groovy. (Nell Beram L'Officiel)A first-rate disco first-responder, he has catholic tastes, boundless curiosity, and a genial voice. (Melissa Anderson Bookforum)

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Product details

Paperback: 474 pages

Publisher: D.A.P. (November 27, 2018)

Language: English

ISBN-10: 1942884303

ISBN-13: 978-1942884309

Product Dimensions:

6.8 x 1.2 x 9.5 inches

Shipping Weight: 2.3 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#60,709 in Books (See Top 100 in Books)

After a lifetime of his review columns being saved and passed around by xeroxing from original trade magazine issues, this complete collection of weekly reports arrived in 2009, and sold out so fast its value has zoomed like a print by Picasso or Dali. The author was the first in any mass media to report the new club underground in New York as the musical and social phenomenon that it was. Endlessly re-readable, Aletti's rigorous fact-checking and fathoms-deep respect and enthusiasm for club music and club DJs make this not only a 500-page shopping list, but a true social history of the underground minority cult that emerged culturally and politically in the decades since the writing of these weekly commentaries. Keep an eye out for a copy you can afford, and you will have a complete history unlike any other.

Most of this awesome book consists of reprints, complete with photos and national and regional charts, of Vince Aletti's weekly Record World disco columns from November 1974 through December 1978. There are also over thirty pages of various disco articles Mr. Aletti wrote for other publications such as Rolling Stone and the Village Voice, plus an interview at the end of the book. A treasure trove of information about gazillions of disco records both massive and obscure.A recurring theme through the couple of hundred pages I've read so far is that 12" singles had higher sound quality ("hotter", "brighter" mixes) than the versions included on the corresponding albums. Here's an example: "[a promo 12" of] War's "Galaxy", actually shorter than the LP version at 7:28 but minus the change-of-pace movement that made [it] difficult to play in the clubs...smooths things out and adds a crackling drum break, making one of our favorite funk songs (those lyrics!) even more accessible." (From January 21, 1978.) There are countless other examples describing the differences between various versions (12", 7", LP, imports) that are indispensible for the collector.The reader can watch disco develop week by week, record by record. I agree with another reviewer that a companion volume of reviews into the '80's would be welcome. Although Mr. Aletti ended his column after December 16, 1978, Billboard magazine kept a column going. There were a lot of great records after 1978...yes, David Naughton, I'm talking about you...and I'd love to read about them too.Any dance music fan will be astounded by this book; I am!

No revisionist history here!! These are the original weekly columns from Record World from 1974 to 1978. There are regional charts galore throughout the book so you can see where the songs were hits and how long they were popular. Unlike a lot of the billboard charts, the actual songs are listed instead of Grace Jones "Portfolio" (all cuts). The book is printed on heavy grade ultra white paper with tons of photographs of actual records both domestic and imports. There are also a lot of pictures too.This is the ultimate reference book on Disco music, especially the early years from 1974-1976!!. There are weekly reviews of records and lots of disc jockey commentary. One (pre 12" single days) topic is the DJ's complaining about not receiving two copies of 45's that have a part 1 and part 2 on the other side. There are also pleas for universal formats of 12" singles so that the speed is listed and that they are always pressed at either 33 or 45. It is also amazing to read comments like, this week we have a new record by an unknown 16 year old named Stephanie Mills who has a powerful voice. You get to watch history unfold on a weekly basis when most people were not even taking notice.The only major flaw is that this book is lacking is an index. Hopefully, someone will post one on the Internet or maybe a future revised edition will add this. The column was taken over by Brian Chin in 1979. It would be great for him to continue this with a sequel so that we can see the so called demise of disco.An amazing 5 star book worth every penny. Thanks to all involved.

I was certainly a disco fan throughout the time period covered by this book, but because I was a young teenager I only knew the disco songs that had successfully crossed over to pop radio at the time. As the years have passed, of course, I have familiarized myself with many other disco tunes that escaped my notice back in the 1970s, but nearly every week's column as reprinted in this book brings to my attention records I've never heard (and frequently never even knew they existed). Just last night I learned that Lesley Gore apparently released a disco record in 1976; now I'm dying to hear that.What's really great about this book is that it's easy to pick up for just a few minutes and then put down, since nearly every "chapter" is simply a reprint of a column that appeared back in disco's heyday.This is a brilliant book for any fan of disco music.

Fifteen seconds after opening this book, with all due respect to Joel Whitburn, I knew I'd found my new disco bible. It would have been nice if the publishers had included every Disco File Top 20 chart instead of one every three or four weeks. And it's too bad that the author didn't hang around at Record World one more year to document disco's implosion in 1979 in the pages of his column, for you do feel like part of the story is missing when the book comes to an (abrupt) end. But those are minor quibbles, because what is included here - top tens from legendary DJ's like Savarese, Gibbons, Levan, Benitez and Bleckman; a chronicling of a cultural and musical movement that transcends the author's album reviews; and a treasure trove of rare photos and record scans - is priceless.

History for Music Lovers

If you were part of the 70s music scene, this book is a most in every sense of the word. Ten stars would be more like it.

Like a Bible for Real Disco Lovers!

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